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There’s much more, so be sure to get those calendars out and dive in. June 26), a black-and-white wonder from 1957 starring Marcello Mastroianni. June 23) and revered Italian director Luchino Visconti’s “White Nights” (5 p.m. Other temptations include Claire Denis’ homoerotic and stunningly photographed French legionnaires tale “Beau travail” (7 p.m.
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The sly conceit of this series is that each film features a memorable dance sequence, even though the film itself is not a musical.Ĭharlie Chaplin’s classic “The Gold Rush” from 1925 will not only play at the Barbro Osher Theater (2 p.m. You can enjoy indoor and outdoor screenings by hoofing it over to the PFA for “Indelible Moments: May I Have This Dance,” which kicks off in June and runs through August.
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Too busy then? Check out the re-edited 1942 version, also free, at the Pacific Film Archive on June 12.
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Hoof it on over to the free outdoor screening of Charlie Chaplin’s classic “The Gold Rush” in Berkeley on Aug. June 8), a stirring adaptation of an outraged novella by Angolan author Jose Luandino Vieira on the dire consequences for a man tagged as a member of a ‘60 revolutionary group in Angola and Ernst Lubitsch’s rarely seen 1924 silent film “Forbidden Paradise” (7 p.m. June 4), considered by some to be a French masterpiece Sarah Maldoror’s “Sambizanga” (7 p.m. There’s a treasure trove of gems to watch, including Jean Vigo’s 1934 romance “L’Atlante” (7 p.m.
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Founded by Martin Scorsese and other high-powered names such as Francis Ford Coppola and George Lucas, the Film Foundation chips in financially to pay for restorations as well. Launching the day after the Meszaros series begins is “ Film Preservation: Celebrating the Film Foundation,” which works to protect films in danger of vanishing forever. Sarah Maldoror’s “Sambizanga” screens June 8 at the Berkeley Art Museum and Pacific Film Archive. June 15) and 1980’s “The Heiresses,” another social commentary about economic and social divides wherein a wealthy woman (Lili Monori) asks a seamstress (the mercurial Isabelle Huppert) to conceive a child with her hubby (7 p.m. June 5) 1973’s bristling look at the divide between the haves and have-nots, “Riddance,” which does just that in a tale about a female textile worker who impersonates a student once she falls for an upper-crust college student (7 p.m. June 3.Ī few other films in the series include: 1969’s “Binding Sentiments” about a fraught relationship between a widow, her son and his girlfriend (7 p.m. Now 90, the Budapest-born director/screenwriter has been a creative force ever since her debut feature, 1968’s feisty “The Girl.” Appropriately, it is the first of 11 films to screen, and rewards audiences with the presence of a distinctive female antihero - played by singer Kati Kovacs - a rebel who decides to dig up her family roots. The summer season begins with “The Films of Marta Meszaros” running from June 3 through July 20. “The Films of Marta Meszaros” series starts June 3 and features 1968’s “The Girl.” (Photo courtesy BAMPFA)